…not. Don’t you love it when people give you advice?
I don’t. Unsolicited advice, I mean. There are times when looking for a good doctor or dentist, you might ask who your friends are happy with. But I hope you also check out medical websites for the practice’s reputation and the hallmarks of a good professional.
I was a professional, and a darned good one, too. I can say that because (1) I devoted my life (and my income) to it, and (2) I no longer live where I practiced my profession, so there’s no one to contradict me. :>) An elementary grade specialist with three university degrees, I served as master teacher to student teachers, and participated in a university program exploring creative approaches to teaching.
So, several years ago, when my husband was referred to a specialist, I kept abreast of the latest information in the field. At one appointment, we went in with my research on his medication, what seemed to be side effects he was exhibiting, and possible alternatives. This doctor was, I soon learned, accustomed to giving unquestioned advice. When I finished explaining what I’d learned, he swiveled from attending my husband, glared at me and demanded, “And, so you’re a doctor?”
“No,” I replied, “but I’m educated, observant, open-minded, and I’m proactive when it comes to health issues. Or any other issues, for that matter.” (You may use that line. in fact, you should. It’s a very good piece of unsolicited advice.)
So, back to the title. Most writing advice must be taken with a grain of…aspirin. Or a glass of wine. Why? Because what works best for them, might not necessarily work for you.
TIMING: Writers often tell you that you must write first thing in the morning, “preferably when you’re not quite awake” one recently said. Really? Wake me before 8 a.m., and we have the beginning of a Stephen King novel. Murder (or at least attempted) by any available means.
I am a night owl. My muse is rarely ready to work before 7 p.m. What writer doesn’t have a job, family needs to see to, or medical issues to deal with? Or houses and cars and appliances falling apart? Ants in the sugar? Mice scratching in the walls at night? Who? Oh, right. The twenty-five-year-old guy still writing in his mom’s basement apartment.
PLACE: Often we’re told to go out to a coffee shop or a fast food place and write because a change of location sparks the gray matter. Doesn’t work for me. Oh, I do have favorite places where I make notes on mannerisms, and eavesdrop on conversations, especially the loud-enough-for-everyone-to-hear cell phone calls. I have fun figuring out what the caller’s side of the conversation is like. But write with all the distraction? Not for me. I write best when only my muse is talking.
WHAT: Writing what you know is great. Sometimes a brief glimpse, phrase or anecdote from your youth turns out to be perfectly suited to your character. Or you can fictionalize the creep who bullied you on the playground. Great revenge. Just change his/her name.
Writing what you don’t know requires research, or travel to the area you intend to use for the setting. A short story or novella might do well with research alone; a novel or series would do better with in-depth exposure travel affords.
With a shorter piece I’m writing now, I spent a couple hours reading about the Dead Sea and looking for the closest town to it. There’s only one. Madaba. This information will appear in only one paragraph of my story, but will lend authenticity to it.
In a sentence, keep the aspirin or wine handy when you read articles on how to write.
Better yet, spend more time writing.
…or maybe not. You know me, right? The title was a clever way (if I do say so myself) of warning you as to what I am about to expound on. Short Fiction.
A woman once waved me off, saying, “I never read short stories. I like to get lost in a novel.” So I told her to get lost. Had she given my work a moment’s consideration, she might have reconsidered. Or, I could have sold her a first draft edition of my short stories with a guarantee she’d get lost in them. I often do. But that’s why first drafts are followed by second, third, and as many drafts as necessary to cut and polish a rough stone into a sparkling gem.
Another thing. There are times and places that make it nearly impossible to get lost in a novel. The bathroom, for instance. Enough said about that. Offices of doctors, dentists, lawyers—bank and supermarket lines all are examples of great short story reading areas. You can’t get lost in the novel because you’re always wondering if you’re going to be called next and if you’ll have enough time to get your stuff together without looking like a klutz. I’ve tried that. I fumble my book or glasses or pens or everything, and end up (literally) picking them off the floor. Later, under no pressure, I reread the chapter. Carrying a short story anthology with you is more efficient, beneficial and potentially less embarrassing. Sure, carrying a Kindle is cool, but real readers know that an old-fashioned book won’t run out of battery power at the height of passion, leaving you—uh—let down.
Short Fiction is fun. It’s sort of like religion. Every time you turn around, there’s a new one. Or a freakier, funnier, or more intriguing spinoff than the last. For example, you can neither pin down the exact nature and number of angels, nor get a solid word count for what a short story is. The genre’s arguably-accepted word count ranges from 1,000 to 20,000. Always check the guidelines for the contest or periodical you intend to enter or query. Their number of angels on the head of a pin may differ from yours.
Fewer than 1,000 words is called short short story or flash fiction. “For Sale, Baby Shoes, Never Worn,” created a wrenching story image attributed to Ernest Hemingway. However, in 1921, a columnist wrote that a classified ad, “Baby Carriage for sale, never used,” exemplified the plot of a story, and his example, it is believed, may have given rise to the Hemingway tale.
Sometimes the challenge comes in a number of sentences or lines. Here’s an old five-sentence story I entered in an online challenge:
(Five Sentence Fiction) Virginia Nygard 6/23/15
I sit in the dust outside Mabel’s Beauty Parlor while Mama sits inside getting a Marcel wave.
She come out so beautiful I bet the stars will hide in shame tonight…just like me.
Picking her way ‘cross the wooden sidewalk, she pats my head, kisses my cheek and then sashays to the shiny Ford Model A, just panting at the curb for her.
Mr. James Windsor Whitehorn don’t never come ‘cross the tracks unless he come to pick up Mama for doing the town like he say.
I know what you be doing, my eyes say whilst I wave them away into the night.
So, writers, stretch your mental muscle and play with various kinds of short fiction while you’re working on The Great American Novel. It could be your bread-and-butter while you’re waiting for the Great Ka-ching!
And you out there afflicted with Short-Attention Span Syndrome, Short Fiction might be the short fix you’re seeking!
The comics section is my favorite part of any newspaper. Oh, yes, I keep up with local, national, and world reports in other media. By the time the newspaper covers a story, I’ve already been there, done that. But the comics is where I go to detox from the sad state of reality. Or swallow it with a bit of satire and strong coffee.
When the alarm clock rings, I tumble out of bed, into the “Jumble.” No, that’s not a Tai-Chi routine to force my limbs into some semblance of proper functioning. “Jumble” is Hoyt’s and Knurek’s word scramble that yields clues to solve the incomplete sentence posed by the cartoon.
Since playing with words is my business, I usually sail through the first clues in a few seconds then focus on unscrambling the answer to the picture clues. There, thanks to my punny sense of humor being on par with that of the strip’s creators, the answer is often immediately apparent. However, if the final clue involves sports, forget it. I don’t speak “sports.” Not since the Dodgers left Brooklyn and “sports” management became as morally suspect as Machiavelli’s The Prince, or The Art of Certain Deals.
On Sundays, from the “Jumble” I flip to the visual acuity tests. In one, you must find the six differences between two seemingly different scenes. In another, you pick the one scene that differs from the other two, and move on to help Slylock Fox solve a woodlands crime. Yes, these are ostensibly for kids, but since I am in my second childhood (never really left it) I feel a retrospective sense of peace. It’s 1950-something, Mom and Dad are downstairs in the kitchen, and all’s right with the world.
And, while fun, such acuity tests are a reminder that things are not always what they seem. You cannot look at anything with someone else’s eyes. You MUST dig for the truth yourself, or the world will fall into a sorry state. Oh, wait. Right. We’re already there, but it’s not too late to redeem ourselves!
“Aren’t many comic strips often vehicles for political satire?” Sure, and done with a little humor (okay, sarcasm, maybe) they bring a chuckle or a groan. They make you think. Or they should. But at least comics aren’t as acerbic or poisonous as what comes from a political campaign. Except for a certain ugly duck ‘toon character I’d gladly roast and serve a l’orange, along with his ham of a creator.
“There are other programs to improve mental functioning, yes?” Of course, there are many sophisticated mental gymnastics to which one can subscribe. I’m not saying that moving up a notch is meritless, but why not make it a morning routine to digest brain food with ham and eggs?
You’re about to ask what this has to do with writing! (Gotcha!) Consider how you solved visual puzzles. Metaphorically speaking, turn your work upside down or on its sides to reveal another perspective. Put it aside and return with a clearer point of view. Read it aloud to others. Are they hearing what you intended? Do you need to rewrite for clarity?
What about word jumble puzzles? When they don’t work at first glance, I write the letters on scrap paper, tear them apart and put all the vowels in the middle, surrounded by consonants. Then I work from outside in and inside out until the A-ha! moment strikes. You can do this with sentences, paragraphs, and whole scenes in your writing.
A scene that’s going nowhere? Maybe the sequence of events is fine, but it needs a twist. Turn it upside down, left-to-right, backward. Use “What if. . .” scenarios. What if Jane marries Frank? What if she just lives with him? What if she cheats on him, or he cheats on her? Where does your story go from there? Remember choose-your-own-ending stories so popular with kids before the electronics boom? Those stories taught children there was more than one way a problem might work out. (Congress, are you listening?)
Still stuck? Bring your baby to your critique group for a different perspective. (You DO belong to one, yes?) Listen to their often Solomon-like wisdom. They’ll be happy to help you to “. . .train up your child in the way (s)he should grow. . . ” and get you to your A-ha! moment.
And dig into the comics. It’s fun.
I promise to not detail much of the above, lest I launch a rant. Legitimate, but still a rant…and ladies don’t rant—except for one who does so with courage and justifiable outrage, and a second who informs with satirical humor aimed at the state of affairs, or the Affairs of State. What prompted my muddled, misdirected condition of mind was that because my one-and-a-half-year-old Mac crapped out (thank you, Murphy) at a crucial point in my work, I had time to “poor me” and watch TV. I don’t know Murphy’s opinion on lightning, but I know it CAN strike twice in the same place. I’ll expand on only the first topic, computers, as I have not had time to see anything humorous in the others.
Let’s hop in the TARDIS and shift back almost two years. There was Murphy, waiting for me, and he did a déjà vu of the future. He struck my seven-year-old Mac’s new hard drive with a blitz of color snow like old TVs. It was a built-in omen that Mac was about to suffer a heart attack. Which it soon did. And with a flagrant fizzle, frying some of my potentially Nobel Prize winning writing.
Walt, my patient husband, loaded Dead Mac and me into the van and rushed us to Apple Hospital sixty miles away, while enduring my many Navy Post-Grad creative invectives hurled at the Apple God for birthing such a demon. The heart transplant was successful, and Walt suggested he’d deal with Old Mac’s increasing age-prone illnesses and adopt New Mac for me. After saving up the hefty adoption fee, we welcomed Newbie into our home.
Back in the TARDIS to present time. Our infant New Mac suffers the same technicolor snowstorm and craps out. Another one-hundred-twenty-mile round trip to the AH (no reimbursement for mileage) and we are told it was a software issue. “One,” I asked, “that Apple has not solved in more than two years? Somebody needs to be fired!” I have visions of the failure cause and lack of remedy.
One: In ancient times, royal seamstresses went blind sewing extremely fine stitches in royal garments. Today, I see twenty-something blind women and men tapping their white canes down China’s roads as they are dismissed from working at creating computer circuitry.
Two: Apple Gods: “Hey, tech support is for only three years. Deal with it. Suckers will get pissed and buy a new computer. That will keep us in mega-bucks, and you in your cubicles.”
What has this got to do with writing? Really? Okay. A painful situation can be alleviated with satire, a hint of sarcasm, perhaps a sprinkle of anthropomorphism, and a little bit of creativity. Much more entertaining than the slush that ends up in the newspapers as vicious opinion, right? Remember Jonathan Swift’s Gulliver’s Travels? Quite entertaining and a safer approach than a direct attack on the conditions of his times.
So, here’s your assignment. Take your finest pet peeve. Ruminate on it awhile and come back with a piece that makes us see things your way…or at least enjoy your humorous approach. Write on!
In my younger materialistic, non-philosophical days, I was bored as hell watching a TV production of Samuel Beckett’s Waiting for Godot. I didn’t get it. If you’ve never seen or read the play, stick around. The rest of you can go take a nap. Until I get to the point. Which, if you know me by now, will be somewhere down at the bottom. HEY! NO PEEKING.
Samuel Barclay Beckett. (With a name like that, he was destined to become a great writer, right?) He was born on or about April 13, 1906, in Ireland, and died December 22, 1989 in Paris. (France. Not the one in Texas, Tennessee, or Kiribati. Or anywhere else.) So, other than my telling you he was an author, playwright, critic, and winner of the Nobel Prize for Literature in 1969, you can read all about him on the web.
When I was younger, I was preoccupied with my physical being being everything. I had not yet been exposed to college where the worlds of art, music, psychology, philosophy, science and mathematics expanded my horizons. In fact, until then, no teacher had ever explained why I had to carry the 1 back and forth across the top of addition and subtraction examples on the slate chalkboard. (Yes, I am that old, and no, it was not a one-room schoolhouse on the prairie.)
Older, and wiser, (I heard that!) I revisited Godot, and watched Vladimir (no, not THAT one) and Estragon talking and waiting for Godot. Some guy named Pozzo pops in with his slave, Lucky, whom he intends to sell in town. After they leave, a boy enters. He announces Godot will not be coming that night, but will see them the next night. V & E decide to leave, but remain seated. END Act 1. (Hang in there. This exciting epic is almost over.)
Act 2: V & E meet again to wait for Godot. Pozzo and Lucky return. (Luckily for Lucky, the sale didn’t happen.) Pozzo is now blind and Lucky is now mute. They leave, the boy returns. He says Godot is not coming and denies speaking to V & E yesterday. The boy leaves. Vladimir and Estragon decide to leave, but again remain seated until the curtain falls, ending the second and final act. For which you are very happy. I understand.
What you don’t see is the meat I have chewed off the bones of this bizarre plot seemingly sketched by a second-grader. In that missing meat, rumbling through my mind which digests such stuff, lies their interactions and the themes they represent—questions about the physical universe, the nature of man, the concept of space and time that plague scientists, philosophers, religions, and even…me. You, too? Good. I’m not alone. Read Waiting For Godot again, or for the first time, in which case you might want to take a No-Doze.
Okay. Now you can peek. Here’s my point. While taking small but steady bites out of my daily To-Do lists all month long, I’d been waiting for some theme for this post. Just going through repetitive daily motions waiting to no avail until I sat my butt at the computer and pecked out a working title: “Waiting For Inspiration.”
Then it hit me. Waiting for inspiration was exactly the same as Waiting for Godot. And presto, there he was. My inspiration at last! He’s a nice guy, really. Godot looks a bit like a slimmed down Jabba the Hutt with legs. He peered over my shoulder, nibbled little errors and gobbled typos out of this piece. So if you spy any glaring mistakes, it is what it is. I’m not waiting for Godot to fix them. He’s not coming this evening.
Now, whenever I lack inspiration, I will hit the keys with whatever comes into my mind, and make an inspired piece of writing of it. And for some reason, I suddenly feel hungry. Perhaps a few bites of Shakespeare and a cup of Earl Grey tea will do.
When I was a kid in Bridgeport, Connecticut, my dad and I were Brooklyn Dodger fans to the core. We bucked the tide of Yankee fans riding along with the winners. In retrospect, I wondered if their choice of hero worship reflected a need in themselves to bask in the glow of winners: The team I align myself with is a winner, ergo, I am a winner.
Well, what did that say about my dad, my mom, and me? Were we losers because our beloved Dodgers hadn’t won a series in our lifetimes?
Slap my face for even thinking that. After their mother died, my dad and his two brothers moved from orphanage to orphanage wherever Grandpa’s work on government ships took him. What they learned was Family First, self-sufficiency, and holding out against the odds. Tenacity.
My mom and her two sisters, the youngest of ten surviving children, left school at age sixteen to join the work force, as had their brothers before them. Savings accumulated by my maternal grandfather, a feed-and-grain businessman, dwindled, requiring every able hand to take on work to keep the family together. Self-sacrifice. Cooperation. Persistence.
In 1955, I was in the driveway waiting for my dad to come home from work. We spied each other, and the hullabaloo began. Me, shouting at the top of my lungs, wearing my Dodgers’ cap, waving my Dodger pennants, and my dad endlessly honking the horn and shouting back. The Boys of Summer had finally won the World Series! Tenacity. Self-sacrifice. Cooperation. Persistence. It all paid off.
After my beloved Dodgers dodged Brooklyn for less-green pastures in L.A., I lost interest. They abandoned their loyal fans and their heritage as trolley dodgers for monetary gain. From then on, I watched sports in general degrade into huge money-making machines with little loyalty to their family of fans
When I heard that Chicago-Cleveland Series tickets this year went for as high as $1,500 plus, I was struck by how pervasive GREED is in our society. It pollutes everything from sports, TV, movies, theater, politics, and some unscrupulous sects of religion. Money is god in our culture.
Still, I had no hesitation in rooting for the Chicago Cubs. No World Series win in 108 years? Bring it on! That’s my kind of team! Down three-to-one in the series and they WIN the @#$%& thing! Woo-hoo! My kind of guys! Tenacity, self-sacrifice, cooperation, persistence.
“Okay,” you ask, “so what has all this got to do with writing?”
Duh! Really? Do I have to spell it out for you? Stop reading this, START WRITING and DON’T GIVE UP!